Beorcana fills a niche in book typography and also serves a wide range of purposes from fine print, cartography, and information design to signage, editorial design and invitations. Beorcana is unusual for a sans serif type it is designed for extended reading. This typeface comes in 5 weights three of them are free.īeorcana is a calligraphic sans, or serifless roman. Beside ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures Museo also has a ‘case’ feature for case-sensitive forms. This OpenType font family comes in five weights and offers supports CE languages and even esperanto. All styles include Small Caps, lining and oldstyle figures in proportional and tabular widths, and a range of arrows and other symbols.Ī contemporary semi-slab serif font. FF Meta Serif is available in four weights: Book, Medium, Bold, and Black, each with Italics. Now what you see is what you get, a harmonious serif/sans type system. The designers created a typeface with metrics that are not identical to FF Meta, but optically the same. Type & Graphics by Henning Skibbe.Ī collaborative work by Erik Spiekermann, Christian Schwarty and Kris Sowersby. Comes in Roman and Italic with seven weights each. It serves well in attention seeking headlines. The Haptic family is a sans serif typeface which was optimized for use in small sized text. So which typefaces are “bulletproof”? What fonts can be used effectively in almost every Corporate Design? And what are the options for unique, but still incredibly beautiful typefaces? Let’s find out.
CLASSIC 60S FONTS FREE
Please notice that they are not free however, we’ve focused on typefaces which are definitely worth spending money on.
CLASSIC 60S FONTS UPDATE
Now it’s time to update our selection with typefaces we’ve missed then and new typefaces which have been developed over the last year.īelow you’ll find over 60 first-class corporate fonts.
CLASSIC 60S FONTS PROFESSIONAL
Last year we’ve presented 80 Beautiful Professional Fonts, a selection of excellent typefaces one should be aware of when developing web-sites. To communicate effectively, typography requires appropriate typefaces.
Since written text is the most efficient instrument to communicate with visitors precisely and directly, the power of typography shouldn’t be underestimated. Among other things, effective typography manages to achieve two important objectives: a) to create an appropriate atmosphere and enable users to develop trust toward the site and b) to make sure visitors get the main message of the site and (if possible) become interested in the services offered on the site. Typography is more than being legible and looking good.
Quick summary ↬ Typography is more than being legible and looking good.
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